
May 1st
Happy ONEIVERSARY to me!

2nd August 2006
Ubud is definitely the place to do this, but first we spent the morning trying to plan our next move. Wayan – Ketut’s wife – informed me that our route via Gunung Batur (a volcano which will feature more later) was not the best. We ummed and ahhhed and booked things and cancelled things. Estrella came up with some alternative routes and then Ketut turned up and sorted out our
So with full stomachs and wallets we hit the streets of Ubud. Shopping tally? Estrella? Well this could be difficult cos boy that girl can shop: there was definitely a skirt, some trousers, a couple of tops and then I start to lose count. Kim: wedding present, a couple of pictures and a wedding outfit which was a whole experience of wrapping her up, unwrapping her, pinning her up, tying knots here and there and then just to make sure she gets it right on the day a whole step by step photo shoot. The shop assistant was well into the step by tiny step so in the end I had to pretend I was taking the shots. Me: two barong pictures, some cushion covers, a pair of trousers which could probably fit me and a couple of friends in and a nice new ring to replace the one that got too big and the one where the stone fell out.
Exhausted by the last few hours Estrella and I stopped for a fruit juice and a few moments to plan how we were going to pack all this shit, sorry I meant stuff. Meanwhile Kim went all the way down
So after our penultimate running of the gauntlet with the barking dogs of Ubud, we packed, checked our departure time, settled the bill and somehow ended up in the same restaurant as lunchtime. Well you know you can never get enough of a good thing...
1st August 2006 – Part II
Next on our list of places to visit was Batuan, home of the distinctive black and white paintings that depict scenes of daily Balinese life. It’s an art movement that started in the 1930’s which was more or less confirmed by our guide at the gallery where we had been deposited who explained how his parents had taught him this style and his parents parents before. He talked us though the process of creation and we watched an artist at work. There is nothing like seeing an artist at work to make you think ‘Mmm I’d like that’ (and that’s why I have a Nicaraguan weaving taking up vast amounts of space in my cupboard), but the little stickers in US dollars on the corners of the painting were at best extortionate. “Oh, those are gallery prices.” Our guide explained. “Here we have discount 60%”. Uh oh! Those words trickled into my brain and I began imagining what the pictures would look like in my new lounge. Of course I could have picked one with just the hairy old barong in it. Or I could have picked another one with no background, or no foreground, but I picked one with both and my small but detailed Batuan painting was the most expensive of the lot I had arranged around me on the floor, not to mention that I wasn’t even thinking about how it would fit into my rucksack.
Next stop was the craft market at Sukawati. It was an indoor market where the preferred way to get a customer to distinguish one sarong out of the hundreds and millions displayed there was to block said customers path with it. Kim bowed out and left me and Estrella to it and like the hardened marketeers we were we emerged breathless and emboldened a few minutes later clutching our masks and cat shaped coat hook.
After vital refuelling stop no.4 was FINALLY Goa Gajan, or the
Gunung Kawi is described as the place where you find these amazing candies (shrines) carved into the cliff face. Now cliff face suggests steep descent doesn’t it? Not to us, we were most surprised to find that we had to go down through a town, and then down through some paddy terraces, and then down again. It was all very pretty and all, but I just couldn’t stop thinking that in this case what goes down must come up later. However... when we got there it WAS pretty amazing. There are those shrines poking out from the forest with a river gurgling below and a temple opposite.
And finally to end our day of Balinese art and culture (with a wee bit of shopping thrown in) we decided to go to a shadow puppet show. I can’t remember when I first became aware of those delicately thin puppets with lace like designs, but I was definitely into them by the time I was eighteen and watched proudly as my little troupe of five year olds performed their own rendition of the Teddy Bear’s Picnic behind the screen my Dad had made.
The Balinese version is slightly more complicated and highly religious. It’s only recently that the Palang (puppet masters) have begun performing them to tourists. There is a set list of characters; good versus evil (that old tale again) and the shows can last up to three hours long. We didn’t quite last an hour. In retrospect I suppose something of this significance was never going to be performed in its true sense to a bunch of tourists, but the crude jokes were just too much. We laughed politely at first, but as the audience gradually trickled away we joined the flow.
The night before we had discovered this little side street where all the paving stones have inscriptions dating from 1979-2003; as well as the decorative paving it was remarkably free of dogs, tourists, touts offering ‘transport’ and flashy restaurants. We had our cheapest and best meal ever and I finally began to get some crucial vocab: Ikan – fish, terima kahsi – thank you. Oh and the onion rings were good too.